Double Capture is an immersive installation inviting us into the intimate, sensuous choreography of insect pollination. The project was commissioned by curator Daría Sól Andrews for the Sediment & Signal exhibition at the Sequences Real Time Arts Festival 2025 in Reykjavík.

In Double Capture, flower pollination is explored not only as a key biological process for the survival of earthly ecosystems, but also as a sensory, relational, time-based performance between species.

Through the use of vibrating surfaces, the installation transforms a greenhouse into a living instrument, amplifying the secret signals exchanged between flowers and their pollinators. Visitors experience the vibratory language of pollinators through hearing, touching and exploring the resonance of the vibrations through the space and through their own bodies.

The pollinator sounds amplified for Double Capture were recorded in the field in Iceland over the summer 2025. The sound recording, editing and sonification process was realised in collaboration with the Intelligent Instruments Lab.

The title Double Capture refers to a relational understanding of the act of pollination proposed by philosopher Gilles Deleuze, where for a short moment the flower becomes its pollinator, and vice versa.